Las óleos de todo Pietro Antonio Rotari


ID Image  Painting (From A to Z)       Details 
69676  
Pietro Antonio Rotari, A Girl in a Blue Dress
 
 A Girl in a Blue Dress   oil on canvas painting by Pietro Rotari , El Paso Museum of Art
69731  
Pietro Antonio Rotari, A Girl in a Red Dress
 
 A Girl in a Red Dress   oil on canvas painting by Pietro Antonio Rotari, El Paso Museum of Art.
29343  
Pietro Antonio Rotari, Countess A.M. Vorontsova
 
 Countess A.M. Vorontsova   MK65 oIL ONCANVAS 19 1/2X18"
76783  
Pietro Antonio Rotari, Maria Antonia of Bavaria
 
 Maria Antonia of Bavaria   ca. 1755(1755) Oil on canvas 107 ?? 86 cm (42.1 ?? 33.9 in) cjr
80251  
Pietro Antonio Rotari, Maria Antonia of Bavaria
 
 Maria Antonia of Bavaria   1755(1755) Medium Oil on canvas Dimensions 107 x 86 cm (42.1 x 33.9 in) cyf
80864  
Pietro Antonio Rotari, Portrait of a Young Girl
 
 Portrait of a Young Girl   18th century Medium Oil on canvas Dimensions ? x cm cyf
77570  
Pietro Antonio Rotari, Portrait of a Young Girl, La Penitente
 
 Portrait of a Young Girl, La Penitente   18th century Oil on canvas cjr
84263  
Pietro Antonio Rotari, Portrait of Archduke Ernest of Austria
 
 Portrait of Archduke Ernest of Austria   1580 Medium Oil on canvas Dimensions 110.8 x 91.1 cm (43.6 x 35.9 in) cyf
83636  
Pietro Antonio Rotari, Portrait of Francesco Bartolomeo Rastrelli
 
 Portrait of Francesco Bartolomeo Rastrelli   Date 18th century Medium Oil cyf
75753  
Pietro Antonio Rotari, Portrait of Grand Duchess Yekaterina Alexeyevna
 
 Portrait of Grand Duchess Yekaterina Alexeyevna   1761 Oil on canvas 60 ?? 48 cm (23.6 ?? 18.9 in) cjr
77522  
Pietro Antonio Rotari, Portrait of Grand Duchess Yekaterina Alexeyevna
 
 Portrait of Grand Duchess Yekaterina Alexeyevna   Date 1761 (?) Medium Oil on canvas Dimensions 60 ?? 48 cm (23.6 ?? 18.9 in) cyf
78273  
Pietro Antonio Rotari, Portrait of Grand Duchess Yekaterina Alexeyevna
 
 Portrait of Grand Duchess Yekaterina Alexeyevna   1761 (?) Medium Oil on canvas Dimensions 60 x 48 cm (23.6 x 18.9 in) cyf
77921  
Pietro Antonio Rotari, Portrait of King Augustus III of Poland
 
 Portrait of King Augustus III of Poland   1755(1755) Oil on canvas 108 ?? 86 cm (42.5 ?? 33.9 in) cjr
79040  
Pietro Antonio Rotari, Portrait of Marie Kunigunde of Saxony (1740-1826), Abbess of Thorn and Essen, daughter of Augustus III of Poland
 
 Portrait of Marie Kunigunde of Saxony (1740-1826), Abbess of Thorn and Essen, daughter of Augustus III of Poland   ca. 1755(1755) Oil on canvas cjr
77560  
Pietro Antonio Rotari, Princess Elisabeth of Saxe
 
 Princess Elisabeth of Saxe   ca. 1755(1755) Oil on canvas 107 ?? 86.5 cm (42.1 ?? 34.1 in) cjr
92761  
Pietro Antonio Rotari, Queen Maria Josepha in Polish costume.
 
 Queen Maria Josepha in Polish costume.   1755(1755) Medium oil on canvas Dimensions 86 X 108 cm (33.9 X 42.5 in) cjr
83028  
Pietro Antonio Rotari, Self portrait
 
 Self portrait   1756 (?) Medium Oil cyf
29640  
Pietro Antonio Rotari, Sleeping Girl
 
 Sleeping Girl   Oil on canvas, 106 x 84 cm
70528  
Pietro Antonio Rotari, Sleeping Girl
 
 Sleeping Girl   Medium Oil on canvas Dimensions 106 x 84 cm

Pietro Antonio Rotari
Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg) Italian painter. His artistic career began as a youthful distraction, but his talent quickly became apparent, and he entered the studio of Antonio Balestra in Verona, remaining there until he was 18. He spent the years 1725-7 in Venice and then moved c. 1728 to Rome, where he stayed for four years as a student of Francesco Trevisani. Between 1731 and 1734 he studied with Francesco Solimena in Naples before returning to Verona, where he set up his own studio and school. His most notable early independent works are multi-figured altarpieces (e.g. the Four Martyrs, 1745; Verona, church of the Ospedale di S Giacomo), which emulate 17th-century Roman and Neapolitan works. However, he also studied the smaller, more intimate paintings of Roman Baroque artists, and these influenced his later works. He fell victim to the wanderlust that appears to have been endemic to 18th-century Venetian painters, and c. 1751 he travelled to Vienna, where he was able to study works by Jean-Etienne Liotard, whose clean pictorial smoothness impressed him. He later moved to Dresden



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